As you may know I work with some famous people, and recently I’ve been enjoying the new young and passionate Zac Efron and Usher, who are eager to share the work. Also recently, a new phenomenon has occurred– it is that my hard working actors are being paid pittance. I’m not talking about Zac or Usher– in fact, I’m not going to name names because this isn’t an exposé but an observation. You are not interested in famous working actors being paid a pittance? Let me suggest you be interested!
Jack Nicholson was one to fight for the recognition of the actor’s work. Jack Nicholson understood that the actor had to dig deep down into self and supply deep emotional material in order to produce great work. This emotional material had to be accessible for the period of the shooting of the film and ready to go on the word “action.” For him, the actor who did this in-depth work should be paid 20 million dollars. The point is not the exact amount; the point being stressed is the recognition of the work. A pittance does not acknowledge the work!
Often as a young actor you are asked to do plays and student films for nothing. You do so to grow in your craft, and to develop experience and your reel. When do you stop working for nothing? And when do you stop working for a pittance? An actor will go on a film set and see huge lighting instruments on it and will wonder why those instruments are more important than the actor. It seems that the acting instrument is not the essential instrument to tell a story– but it is! This is not an observation of the nickels and dime-millions of the movie business– it is the Uta Hagen cry “Respect for Acting.”
The director can seduce an actor into doing the film by talking about the great talent and how he/she would love to work with that great talent. But it has often been proving that the director will put money into technology and not into that great actor. So to the young actor who goes into the business with the consideration that you will make good money—yes that is possible– but I repeat respect what you do– especially those of you who will give a little piece of your heart to every character that you play and every film that you do—respect that you are an essential, important instrument in the process of story telling.
Always in the art! – Susan Batson